I love all two hundred and twenty miles of it; it's where I am most content.
Some people find spiritual fulfilment in a cathedral, on a mountain or by the sea. I find it by the "mighty" River Severn.
I'm not the only person who thinks it's good for the soul. I observe walkers, anglers, canoeists, cyclists, picnickers and many more all soaking up its ethereal qualities.
Through my work I try to portray our relationship with the river and in doing so, justify my own obsession with a place that has captivated me since childhood and driven me to becoming a self-taught painter.
I work mostly on-site either from the bank or my Canadian canoe and use watercolour, oils, acrylics or mixed media; in fact anything that will fit into a rucksack.
I would describe my work as intuitive, somewhere on the scale between figurative and abstract, allowing a
sub-conscious approach to yield a gritty and sometimes melancholic creation.
Layers are also important in my compositions, each one having its own significance but all very often visible in the
finished work from the first pencil stroke to the last and delicate wash or bold slab of colour. It's a technique that
has taken time to evolve and has relied on shaking off all my earliest influences.
Now I create an individual account of the river, all two hundred and twenty miles of it.